Updated Oscar Projections As Wave of Top Contenders Are Released

THR’s awards columnist updates his projections.

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These projections reflect Scott Feinberg’s personal impressions (from screenings), publicly available information (release dates, genres, talent rosters and teasers/trailers often offer valuable clues), historical considerations (how other films with similar pedigrees have resonated), precursor awards (some awards groups have historically correlated with the Academy more than others) and consultations with industry insiders (including fellow members of the press, awards strategists, filmmakers and awards voters).

GLOSSARY The following abbreviations denote the film festival(s) at which a film has screened and/or will be screening: SUND=Sundance, SXSW=South by Southwest, TRIB=Tribeca, CANN=Cannes, VENI=Venice, TELL=Telluride, TIFF=Toronto, NYFF=New York, LOND=London and AFIF=AFI Fest.

Best Picture

FRONTRUNNERS

Roma (Netflix) VENI, TELL, TIFF, NYFF
A Star Is Born
(Warner Bros.) VENI, TIFF
The Favourite (Fox Searchlight) VENI, TELL, NYFF
Black Panther (Disney)
Green Book (Universal) TIFF
First Man (Universal) VENI, TELL, TIFF
BlacKkKlansman (Focus Features) CANN
Can You Ever Forgive Me? (Fox Searchlight) TELL, TIFF
Eighth Grade
(A24) SUND, SXSW
A Quiet Place (Paramount) SXSW

MAJOR THREATS

Cold War (Amazon) CANN, TELL, TIFF, NYFF
If Beale Street Could Talk (Annapurna) TIFF, NYFF
Crazy Rich Asians (Warner Bros.)
Ben is Back (Roadside Attractions) TIFF

POSSIBILITIES

Hereditary (A24) SUND, SXSW
Leave No Trace (Bleecker Street) SUND, CANN
Widows (Fox) TIFF, LOND
22 July (Netflix) VENI, TIFF

STILL TO COME

Mary Poppins Returns (Disney)
Mary Queen of Scots (Focus Features) AFIF
The Mule (Warner Bros.)
On the Basis of Sex (Focus Features) AFIF
Vice (Annapurna)

Best Director

FRONTRUNNERS

Alfonso Cuaron (Roma)
Bradley Cooper (A Star Is Born)
Yorgos Lanthimos (The Favourite)
Ryan Coogler (Black Panther)
Spike Lee (BlacKkKlansman)

MAJOR THREATS

Damien Chazelle (First Man) — podcast
Pawel Pawlikowski (Cold War)
Bo Burnham (Eighth Grade)
Peter Farrelly (Green Book)
Barry Jenkins (If Beale Street Could Talk) — podcast
Paul Greengrass (22 July)
Debra Granik (Leave No Trace)
John Krasinski (A Quiet Place)

POSSIBILITIES

Jon M. Chu (Crazy Rich Asians)
Marielle Heller (Can You Ever Forgive Me?)
Ari Aster (Hereditary)
Peter Hedges (Ben is Back)
Steve McQueen (Widows)
Boots Riley (Sorry to Bother You)
Julian Schnabel (At Eternity’s Gate)

STILL TO COME (alphabetical)

Clint Eastwood (The Mule)
Mimi Leder (On the Basis of Sex)
Rob Marshall (Mary Poppins Returns)
Adam McKay (Vice) — podcast
Josie Rourke (Mary Queen of Scots)

Best Actor

FRONTRUNNERS

Bradley Cooper (A Star Is Born)
Viggo Mortensen (Green Book) — podcast
Lucas Hedges (Ben is Back)
Ryan Gosling (First Man)
Hugh Jackman (The Front Runner)

MAJOR THREATS

Rami Malek (Bohemian Rhapsody) — podcast
John David Washington (BlacKkKlansman)
Steve Carell (Beautiful Boy)
Chadwick Boseman (Black Panther) — podcast
Ethan Hawke (First Reformed) — podcast
Willem Dafoe (At Eternity’s Gate) — podcast
John C. Reilly (The Sisters Brothers)

POSSIBILITIES

Robert Redford (The Old Man & the Gun)
Ben Foster (Leave No Trace)
John Krasinski (A Quiet Place)
Stephan James (If Beale Street Could Talk)
Lucas Hedges (Boy Erased)
Lakeith Stanfield (Sorry to Bother You)
Steve Coogan (Stan & Ollie)
John C. Reilly (Stan & Ollie)

STILL TO COME (alphabetical)

Christian Bale (Vice)
Clint Eastwood (The Mule)

Best Actress

FRONTRUNNERS

Glenn Close (The Wife) — podcast
Olivia Colman (The Favourite)
Lady Gaga (A Star Is Born)
Julia Roberts (Ben is Back)
Yalitza Aparicio (Roma)

MAJOR THREATS

Melissa McCarthy (Can You Ever Forgive Me?)
Kathryn Hahn (Private Life)
Toni Collette (Hereditary)
Viola Davis (Widows)
Nicole Kidman (Destroyer) — podcast
Joanna Kulig (Cold War)
Elsie Fisher (Eighth Grade)

POSSIBILITIES

KiKi Layne (If Beale Street Could Talk)
Charlize Theron (Tully)
Keira Knightley (Colette) — podcast
Rosamund Pike (A Private War) — podcast
Carey Mulligan (Wildlife)
Emily Blunt (A Quiet Place)
Maggie Gyllenhaal (The Kindergarten Teacher)
Emma Thompson (The Children Act)
Hilary Swank (What They Had)

STILL TO COME (alphabetical)

Emily Blunt (Mary Poppins Returns)
Felicity Jones (On the Basis of Sex)
Saoirse Ronan (Mary Queen of Scots) — podcast

Best Supporting Actor

FRONTRUNNERS

Richard E. Grant (Can You Ever Forgive Me?)
Mahershala Ali (Green Book) — podcast
Timothee Chalamet (Beautiful Boy) — podcast
Sam Elliott (A Star Is Born)
Nicholas Hoult (The Favourite)

MAJOR THREATS

Robert Forster (What They Had)
Michael B. Jordan (Black Panther) — podcast
Matthew McConaughey (White Boy Rick) — podcast
Paul Giamatti (Private Life)
Daniel Kaluuya (Widows)
Russell Crowe (Boy Erased)

POSSIBILITIES

Adam Driver (BlacKkKlansman) — podcast
Topher Grace (BlacKkKlansman)
Brian Tyree Henry (If Beale Street Could Talk) NEW
Jake Gyllenhaal (Wildlife) — podcast
Dominic West (Colette)
Alessandro Nivola (Disobedience)

STILL TO COME (alphabetical)

Steve Carell (Vice)
Armie Hammer (On the Basis of Sex)
Lin-Manuel Miranda (Mary Poppins Returns) — podcast
Mike Myers (Bohemian Rhapsody)
Sam Rockwell (Vice) — podcast
Justin Theroux (On the Basis of Sex)

Best Supporting Actress

FRONTRUNNERS

Regina King (If Beale Street Could Talk)
Emma Stone (The Favourite) — podcast
Rachel Weisz (The Favourite)
Claire Foy (First Man) — podcast
Marina de Tavira (Roma)

MAJOR THREATS

Thomasin McKenzie (Leave No Trace)
Nicole Kidman (Boy Erased) — podcast
Elizabeth Debicki (Widows)
Natalie Portman (Vox Lux) — podcast
Kayli Carter (Private Life)
Rachel McAdams (Disobedience)

POSSIBILITIES

Michelle Yeoh (Crazy Rich Asians)
Vera Farmiga (The Front Runner)
Ann Dowd (Hereditary)
Angela Bassett (Black Panther)
Lupita Nyong’o (Black Panther)
Danai Gurira (Black Panther) — podcast

STILL TO COME (alphabetical)

Amy Adams (Vice)
Kathy Bates (On the Basis of Sex)
Emily Mortimer (Mary Poppins Returns)
Margot Robbie (Mary Queen of Scots) — podcast
Meryl Streep (Mary Poppins Returns)

Best Adapted Screenplay

FRONTRUNNERS

A Star Is Born (Bradley Cooper, Will Fetters, Eric Roth)
BlacKkKlansman (Spike Lee, David Rabinowitz, Charlie Wachtel, Kevin Willmott)
Black Panther (Joe Robert Cole, Ryan Coogler)
First Man (Josh Singer)
Can You Ever Forgive Me? (Nicole Holofcener, Jeff Whitty)

MAJOR THREATS

If Beale Street Could Talk (Barry Jenkins)
Crazy Rich Asians (Peter Chiarelli, Adele Lim)
Leave No Trace (Debra Granik, Anne Rosellini)
Widows (Gillian Flynn, Steve McQueen)
22 July (Paul Greengrass)
The Wife (Jane Anderson)
The Sisters Brothers (Jacques Audiard, Thomas Bidegain)

POSSIBILITIES

Wildlife (Paul Dano, Zoe Kazan)
The Front Runner (Matt Bai, Jay Carson, Jason Reitman)
Beautiful Boy (Luke Davies, Felix Van Groeningen)
The Hate U Give (Audrey Wells)
Disobedience (Sebastian Lelio, Rebecca Lenkiewicz)
Boy Erased (Joel Edgerton)
A Private War (Arash Amel)

STILL TO COME

Mary Poppins Returns (John DeLuca, David Magee, Rob Marshall)
Mary Queen of Scots (Beau Willimon)

Best Original Screenplay

FRONTRUNNERS

The Favourite (Deborah Davis, Tony McNamara)
Roma (Alfonso Cuaron)
Green Book (Brian Hayes Currie, Peter Farrelly, Nick Vallelonga)
Eighth Grade
(Bo Burnham)
Private Life (Tamara Jenkins)

MAJOR THREATS

Ben is Back (Peter Hedges)
A Quiet Place
(Scott Beck, John Krasinski, Bryan Woods)
Cold War
(Piotr Borkowski, Janusz Glowacki, Pawel Pawlikowski)
First Reformed (Paul Schrader)
Hereditary (Ari Aster)
Sorry to Bother You (Boots Riley)
Mid90s (Jonah Hill) NEW
The Ballad of Buster Scruggs (Ethan Coen, Joel Coen)
What They Had (Elizabeth Chomko)

POSSIBILITIES

Isle of Dogs (Wes Anderson, Roman Coppola, Kunichi Nomura, Jason Schwartzman)
Capernaum (Jihad Hojeily, Michelle Keserwany, Nadine Labaki, Khaled Mouzanar)
Colette (Richard Glatzer, Rebecca Lenkiewicz, Wash Westmoreland)
Destroyer (Phil Hay, Matt Manfredi)
White Boy Rick (Logan Miller, Noah Miller, Andy Weiss)
Vox Lux (Brady Corbet)
Stan & Ollie (Jeff Pope)
At Eternity’s Gate (Julian Schnabel)

STILL TO COME

On the Basis of Sex (Daniel Stiepleman)
Vice (Adam McKay)

Best Animated Feature

FRONTRUNNERS

Incredibles 2 (Disney/Pixar)
Isle of Dogs (Fox Searchlight) BERL, SXSW
Ralph Breaks the Internet (Disney)
Mirai (GKIDS)
Ruben Brandt, Collector (Sony Classics) NEW

THE REST OF THE FIELD (alphabetical)

Early Man (Lionsgate/Aardman)
The Grinch (Universal/Illumination)
Hotel Transylvania 3: Summer Vacation (Sony Animation)
Lu Over the Wall (GKIDS)
Next Gen (Netflix)
Night is Short, Walk On Girl (GKIDS)
Sherlock Gnomes (Paramount)
Smallfoot (Warner Bros.)
Spider-Man: Into the Spider-Verse (Sony)
Teen Titans Go! To the Movies (Warner Bros.)

Best Documentary Feature

PROJECTED SHORTLIST

Free Solo (National Geographic) TELL, TIFF
Won’t You Be My Neighbor? (Focus Features) SUND, SXSW
RBG (Magnolia) SUND
Three Identical Strangers (Neon) SUND
Quincy (Netflix) TIFF
Science Fair (National Geographic) SUND, SXSW
Crime + Punishment (Hulu) SUND
Minding the Gap (Hulu/Magnolia) SUND
The Price of Everything (HBO) SUND
Filmworker (Kino Lorber) CANN [’17], NYFF [’17]
The Sentence (HBO) SUND
Studio 54 (Zeitgeist) SUND, TRIB
McQueen (Bleecker Street) TRIB
Dark Money (PBS) SUND
On Her Shoulders (Oscilloscope) SUND, SXSW

THE REST OF THE FIELD (alphabetical)

93Queen (Abramorama) NEW
306 Hollywood (El Tigre) SUND NEW
Always at the Carlyle
(Good Deed)
Believer (HBO)
BISBEE ’17 (4th Row Films) NEW
The Bleeding Edge (Netflix)
Boom for Real: The Late Teenage Years of Jean-Michel Basquiat (Magnolia) TIFF [’17], NYFF [’17]
Chef Flynn (Kino Lorber) SUND
Divide and Conquer: The Story of Roger Ailes (Magnolia) TIFF
Eating Animals (Sundance Selects) TELL [’17]
Fahrenheit 11/9 (Briarcliff) TIFF
Far from the Tree (Sundance Selects)
Five Seasons: The Gardens of Piet Oudolf (Argot)
Generation Wealth (Amazon) SUND, BERL, SXSW
The Gospel According to André (Magnolia) TIFF [’17], TRIB
Grace Jones: Bloodlight and Bami (Kino Lorber) TIFF [’17]
Hal (Oscilloscope) SUND, TELL
Hale County This Morning, This Evening (Cinema Guild) SUND
The Heart of Nuba (Abramorama)
Hitler’s Hollywood (Kino Lorber) TELL [’17] NEW
In Search of Greatness (AOS)
Inventing Tomorrow (Fishbowl Films)
Itzhak (Greenwich Entertainment)
Jane Fonda in Five Acts (HBO) SUND
John McEnroe: In the Realm of Perfection (Oscilloscope)
The Judge (self distributed) TIFF
The King (Oscilloscope) CANN [’17], SUND
King in the Wilderness (HBO) SUND
Kusama: Infinity (Magnolia) SUND NEW
Leaning Into the Wind: Andy Goldsworthy (Magnolia)
Liyana (Abramorama) NEW
Love, Cecil (Zeitgeist) TELL [’17]
Love, Gilda (Magnolia) TRIB
Maria by Callas (Sony Classics) TIFF
Monrovia, Indiana (Zipporah) VENI, TIFF, NYFF
The Oslo Diaries (HBO) SUND
Pope Francis: A Man of His Word (Focus Features) CANN
The Price of Free (YouTube) SUN
Reversing Roe (Netflix) TELL, TIFF
Robin Williams: Come Inside My Mind (HBO) SUND
Ryuichi Sakamoto: Coda (MUBI) TRIB
Say Her Name: The Life And Death Of Sandra Bland (HBO)
Scotty and the Secret History of Hollywood (Greenwich Entertainment) TIFF [’17]
Shirkers (Netflix) SUND
They’ll Love Me When I’m Dead (Netflix) VENI, TELL
United Skates (HBO) TRIB NEW
Watergate — or, How We Learned to Stop An Out-of-Control President (History) TELL
What Haunts Us NEW
Whitney (Roadside Attractions) CANN [’17]

STILL SEEKING U.S. DISTRIBUTOR (alphabetical)

American Dharma VENI, TIFF, NYFF
Angels Are Made of Light TELL, TIFF, NYFF
Aquarela VENI, LOND
Be Natural: The Untold Story of Alice Guy-Blache CANN, TELL, NYFF, LOND
The Biggest Little Farm TELL, TIFF
The Dawn Wall SXSW NEW
The Dead and the Others [Brazil] CANN
The Elephant Queen TIFF
Fail State NEW
Ghost Fleet TELL
Graves Without a Name TELL, TIFF
The Great Buster: A Celebration VENI, TELL
Meeting Gorbachev TELL, TIFF
Mountain
People’s Republic of Desire SXSW NEW
Saving Brinton
Screwball TIFF
The Silence of Others BERL
What She Said: The Art of Pauline Kael TELL
Women Making Films: A New Road Movie Through Cinema VENI, TIFF

Best Foreign Language Film

PROJECTED SHORTLIST

Roma [Mexico] (Netflix) VENI, TELL, TIFF, NYFF
Cold War [Poland] (Amazon) CANN, TELL, TIFF, NYFF
Girl [Belgium] CANN, TELL, TIFF
Burning [South Korea] (Well Go USA) CANN, NYFF
Shoplifters [Japan] (Magnolia) CANN, TELL, TIFF, NYFF
Capernaum [Lebanon] (Sony Classics) CANN, TIFF
The Guilty [Denmark] (Magnolia) SUND
Birds of Passage [Colombia] (The Orchard) CANN, TELL, TIFF, LOND
Never Look Away [Germany] (Sony Classics) VENI, TIFF

OTHER OFFICIAL SUBMISSIONS (alphabetical)

10 Days Before the Wedding [Yemen] NEW
And Suddenly the Dawn [Chile]
Ayka [Kazakhstan] CANN NEW
The Angel [Argentina] CANN, TIFF
Beauty and the Dogs [Tunisia] CANN [’17], LOND [’17], AFIF [’17]
Border [Sweden] CANN, TELL, TIFF, NYFF
Buffalo Boys [Singapore]
Burnout [Morocco]
Cake [Pakistan]
The Cakemaker [Israel] LOND [’17]
Champions [Spain]
Cocote [Dominican Republic] TIFF [’17]
Crystal Swan [Belarus]
Dogman [Italy] CANN, TELL, TIFF, LOND
Donbass [Ukraine] CANN, TIFF
Eldorado [Switzerland] TELL
Eternity [Peru]
Euthanizer [Finland] TIFF [’17]
The Eighth Commissioner [Croatia]
The Family [Venezuela]
Family First [Canada] NEW
Ghost Hunting [Palestine] BERL [’17]
Graves Without a Name [Cambodia] VENI, TELL
The Great Buddha + [Taiwan] TIFF [’17]
The Great Mystical Circus [Brazil] CANN
Gutland [Luxembourg]
The Heiresses [Paraguay] BERL
Hidden Man [China] TIFF NEW
I Am Not a Witch
[United Kingdom]
I Do Not Care If We Go Down in History As Barbarians [Romania]
The Interpreter [Slovakia]
Iskra [Montenegro]
Ivan [Slovenia]
Jirga [Australia] TIFF NEW
The Journey [Iraq] TIFF [’17], LOND [’17]
Malila: The Farewell Flower [Thailand]
Marlina the Murderer in Four Acts [Indonesia] CANN [’17], TIFF [’17], AFIF [’17]
The Marriage [Kosovo]
Medea [Costa Rica]
Memoir of War [France]
Muralla [Bolivia]
Namme [Georgia]
Never Leave Me [Bosnia & Herzegovina]
Night Accident [Kyrgyzstan]
No Bed of Roses [Bangladesh]
No Date, No Signature [Iran] VENI [’17]
Offenders [Serbia]
Omnipresent [Bulgaria]
Operation Red Sea [Hong Kong]
Panchayat [Nepal]
Pilgrimage [Portugal]
Polyxeni [Greece]
The Resistance Banker [Netherlands]
The Road to Sunrise [Malawi] NEW
Rona Azim’s Mother [Afghanistan] NEW
Ruben Blades is Not My Name [Panama] SXSW
Sew the Winter to My Skin [South Africa] TIFF
Secret Ingredient [Macedonia]
Sergio and Sergei [Cuba] TIFF [’17]
Signal Rock [Philippines]
Sobibor [Russia] CANN
A Son of Man [Ecuador]
Spitak [Armenia] NEW
Sunset [Hungary] (Sony Classics) VENI, TIFF, LOND
Supa Modo
[Kenya] BERL
The Tailor [Vietnam]
Take It or Leave It [Estonia]
To Be Continued [Latvia]
A Twelve-Year Night [Uruguay] VENI
Until the End of Time [Algeria]
Village Rockstars [India] TIFF [’17]
The Waldheim Waltz [Austria] BERL, NYFF
The Wedding Ring [Niger] TIFF [’16]
What Will People Say [Norway] TIFF [’17], AFIF [’17]
The Wild Pear Tree [Turkey] CANN, TIFF
Winter Flies [Czech Republic] TIFF
Woman at War [Iceland] CANN, TIFF, LOND
Wonderful Losers: A Different World [Lithuania]
Yellow Is Forbidden [New Zealand] TRIB NEW
Yomeddine [Egypt] CANN

Oscars: Shaq Enters the Race With Basketball Doc ‘Killer Bees’ (Exclusive)

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The Lakers legend and fellow producer Larry Gagosian, the noted art dealer/gallerist, will bring the film to Hollywood for a special screening and reception on Oct. 24.

“I’ve been to the Hamptons 20 times,” Los Angeles Lakers legend Shaquille O’Neal told me on Friday when I spoke with him exclusively about his entrance into the Oscar race as a producer of the documentary feature Killer Bees. “But I’ve been on the rich people’s side — the Leonardo DiCaprio, the Puffy, the Beyonce side, with the boats, where people are well off — so when I was told there was another side, I was like, ‘That’s impossible!'”

So, at the urging of his friend Glenn Fuhrman, O’Neal screened an early cut of Ben Cummings and Orson Cummings‘ 82-minute documentary feature about the primarily black Bridehampton High School basketball team — nicknamed the “Killer Bees” — and its coach, Carl Johnson as they defended their 2015 state title while simultaneously confronted with racism, gentrification and income inequality. “I was quite surprised by what I saw,” the 46-year-old said. “I was like, ‘This is a story that needs to be told.'”

O’Neal and art dealer/gallerist Larry Gagosian, a Hamptons local, signed on to the film as producers, with Fuhrman joining as an executive producer. The doc had an awards-qualifying run in theaters on both coasts the week of July 27 — it played at the Cinema Village in New York and Laemmle’s Monica Film Center in Los Angeles — and it subsequently hit VOD on Aug. 7 before, appropriately enough, playing at the Hamptons International Film Festival on Oct. 6.

O’Neal couldn’t be at the Hamptons for the film’s premiere, but he says he had already made several trips to Bridgehampton to meet with the kids — he even shot hoops with the team. “When they saw that I was a regular person, I think that’s what shocked them the most,” he recalled with amusement. “I came in by myself, no bodyguards, no entourage, wearing the same jeans as they were, same clothes, same sneakers — and I think they realized that I was an older version of them.”

On Wednesday, O’Neal, along with Gagosian, Fuhrman and the Cummings brothers (Bridgehampton High alums), will bring their film to Hollywood, hosting a screening and reception for friends with boldfaced names and members of the Academy’s documentary branch, in the hope that the film may gain some Oscar traction ahead of voting to determine the shortlist for the best documentary feature Oscar. (O’Neal will also join me for an episode of THR‘s ‘Awards Chatter’ podcast that will cover his entire life and career, and will post soon thereafter.)

O’Neal has served as a producer on several projects since retiring from basketball in 2011 — among them, the 2016 30 for 30 episode “This Magic Moment,” the 2017 religious drama Steps and the 2018 documentary A Week in Watts. Still, I half-jokingly had to ask him if he is feeling more motivated to move into the realm of awards-caliber projects these days so that he can snag an Oscar like his former Lakers teammate Kobe Bryant, with whom he always enjoyed fierce competition and who took home the statuette for best animated short in March for his autobiographical film Dear Basketball. “Oh, that’s funny,” he replied with a laugh. “That’s funny. It would be nice [to win]. But when I put these films out, I hope that they will touch people emotionally. Lives aren’t going to change otherwise. If you win awards, you win awards. But nothing I’ve done outside of basketball has been about winning awards.”

And does he intend to continue producing films after this one? “Of course,” O’Neal said emphatically. “We’ve got a lot of stuff in the works. Now that I’m retired and have much more time, yes, I want to do it much more.”

LeBron James Loved It When Kendrick Lamar Showed Up At Lakers Practice

Life in Los Angeles for the Lakers is a bit different than in past seasons. There’s always glitz and glamour, but LeBron James makes them a significantly more interesting team than in previous years. That won’t always translate into the win column, as it failed to on opening night against Sauce Castillo and the Trail Blazers. The game began with a few dunks from LeBron, but the final result wasn’t what’s going to get that team into the playoffs.

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Still, the hype is real for James and the Lakers this year. Quavo wrote a song for the Lakers’ opener, and the intersection of music and sports continued for L.A. on Friday night when rapper Kendrick Lamar joined the team after practice to share some words of wisdom.

The Lakers posted about Lamar joining them for their “genius series,” where apparently he addressed the team about, what else, staying humble.

It’s not clear exactly what he said, but the words certainly resonated with James, who posted the group photo the Lakers shared and also said what the meeting meant to him on Instagram later that evening.

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“The homie @kendricklamar came in today and blessed us all with mad game talk, inspiration, drive and what it means to get to the mountain top from the bottom and remain there throughout it all,” James said on Instagram. “Appreciate you brother!”

Playing in Los Angeles makes these kinds of interactions easy for James, and the “genius series” certainly makes these kind of talks a bit more common for the team.

Review: Lil Wayne’s “Tha Carter V” Does His Legacy Justice

There’s a special ambiance that permeates the air whenever Lil Wayne drops a Carter project. It’s a remarkable occasion seeing that none of the projects hold a classic album distinction in the traditional sense.

But that’s because Lil Wayne doesn’t adhere to any traditional rap guidelines. His place in Hip Hop’s pantheon can be difficult to outline in words but it’s without question he was a trendsetter for paving the genre’s entry in viable mainstream acceptance. With his penchant for taking studio mastered melodies and completely adopting them with his own zany flow, his relentless flooding of the mixtape circuit found him planted in the eardrums of millions at a different entry point. And the industry official Carter albums would live on to be a place where his multitude of fans could convene on the same accord.

And despite being seven years, 30 days and an infinite amount of trend changes since the release of the last Carter drop date, the kicker this time around is the music is simply just good.

Like all of its previous installments, Tha Carter V is a mile-long, bloated package of unpredictable zest that’s light on introspection (not to discredit Momma Carter’s impromptu interludes over the course of its 87 minutes). Yet its allurement lies in the fact that “Mixtape Weezy” and “Carter Wayne” are able to co-exist with ease.

There’s the Swizz Beatz-boosted “Uproar,” which employs the same Moog Machine sample popularized by G-Dep and Diddy at the top of the decade that gives the album a DatPiff feel intertwined with soul-drenched records like “Demon,” a quasi-Gospel cut that actually gives Wayne maturity stripes.

Even with his elder statesman status, it isn’t hard to hear Wayne’s influence has transcended a couple of generations. Travis Scott cooly incorporates Astroworld inside Weezyana on the “Let It Fly” rager, Kendrick Lamar showcases he’s a rap martian descendant on the long-awaited pairing “Mona Lisa” (ditto for XXXTENTACION, who sheds light on what could have been with his haunting performance on “Don’t Cry”) and even daughter Reginae Carter impresses with her chorus on the reflective “Famous.”

Reviews: T.I. Hits Benchmark With “Dime Trap” Album

 

T.I. has often compared himself to 2Pac, and the claim makes sense in that both have touched on enough topics to fill 100 Wikipedia pages. Tip’s 10th proper album, Dime Trap, loudly silences any concerns over what he has left to say. The album functions as a compelling retrospective of T.I.’s life and career while proving he’s far from finished.

Billed as a “TED Talk for hustlers,” Dime Trap‘s thug motivation qualities are evident. “Looking Back” finds the Rubberband Man giving hustlers and civilians some tough love: “Tell me what you gon see when you looking back at yo life/Won’t be worth a damn if you ain’t living it right.” His words could easily come off as judgmental if Tip weren’t so transparent about his old hell-raising habits: “In Vegas, fightin’ police, me and Jeezy and ‘em/Hit the strip, Fatburger, did my thing again/All I do is kick back, blow gas and smile/Reminiscin’ ‘bout the days I was young and wild.” Tip’s front-porch reflections position him as the elder statesman he’s become and imbue Dime Trap with a sense of well-earned wisdom.

Adam Levine & Maroon 5 Reacts: Rihanna Declines Super Bowl Performance

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Here’s what Adam Levine and the rest of Maroon 5 would ‘love’ to do at the Super Bowl LIII Halftime show, should Rihanna take up her reported offer to perform. HL has the EXCLUSIVE scoop!

Maroon 5 and its lead singer Adam Levine, 39, are hoping Rihanna, 30, has a change of heart. They don’t care the “Lemon” hit maker reportedly turned down the NFL’s offer to perform at the Super Bowl LIII Halftime show, even if that suggests she could’ve been the headliner…not them! “Adam and the band are not mad, sad or anything in between that Rihanna was asked to do the Super Bowl,” a source close to Adam EXCLUSIVELY tells HollywoodLife. Here’s why the band isn’t taking it personally.
“Adam knows that she has been probably asked for years,” our source reveals. With nine Grammys under RiRi’s belt, that’s not hard to believe! Our source continues, “And it doesn’t bruise his ego or the band’s ego because at the end of the day, they are going to put on a great show themselves!” This is also the band’s yearslong dream we’re talking about. Adam once admitted to Howard Stern in a 2015 interview that he and the band “very actively want to play the Super Bowl.” But with that said, they wouldn’t mind sharing the limelight.

“They also hope she has her chance down the line to do it,” our source spills. “And if she changes her stance this year, they would love her to join them to perform ‘If I Never See Your Face Again,’ the song they recorded together.” In case you forgot, Maroon 5 and Rihanna collaborated on a song in 2007! And if the reunion doesn’t happen, it’s not a big deal. Rihanna has her own respectable reason for not doing the show, according to the Us Weekly report. She supposedly opted out of the show to stand in solidarity with Colin Kaepernick. He’s the San Francisco 49ers’ former quarterback who kick-started the movement of kneeling during the national anthem at NFL games as a protest against oppression of black people and minorities. Controversy ensued, and Rihanna has supposedly shown who she sides with amidst the free agent’s collusion lawsuit against the NFL.

While the NFL hasn’t made an official announcement about the headliner, multiple sources have confirmed to our sister site Variety that the band is set to rock out in Atlanta’s Mercedes-Benz Stadium. But with Rihanna most likely out (for now), who else is in the running to entertain the Super Bowl fans? As we’ve reported in September, the NFL told Maroon 5 they are “more than welcome” to invite a previous collaborator, according to what a source close to the band EXCLUSIVELY shared with us! Our insider went on to list Cardi B, Christina Aguilera, and Kendrick Lamar as possibilities, asides from Rihanna. “They want to have it have a feel like the Super Bowl halftime show with Aerosmith in 2001 where various acts were all a part of it and many fan bases could enjoy,” our source shared. We’ll keep you updated on who fills in Rihanna’s shoes!

CURLY HAIRSTYLES FOR BLACK MEN

This black men’s curly hairstyle is a high and tight haircut for men with curly hair. The hairstyle is very modern and represents the style of today. The hard part on one side is very similar to the normal parting and you will need the services of a good stylist who will be able to create one for you with his skills.

The 70’s Hairstyle

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The hipster trends have the foundation in borrowing the styling elements from other decades. This is one of the main reasons why we love this subculture, isn’t it. This black men’s curly hairstyle has got its inspiration from the afro, which was famous for the paisley shirts and bell-bottomed corduroys.

High and Tight Curly Hairstyle

This is a minimalist hairstyle. They will love this high and tight haircut as a solution to their curly hair problems. This haircut comes with a bald fade on the sides to keep you up to date with the latest trends in hairstyles.

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Bearded Curly Hairstyles

The bearded fade has taken over the fashion world by storm. The cool looking fades and the beard are a great combination that works just fine. This is a trendsetting and cool hairstyle that suits black men with curly hairstyle.

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Corkscrew Curly Hairstyles for Black Men

A corkscrew curl is the most beautiful looking hairstyle if they are cut to medium length. If you have natural curls and have this amazing looking style, then don’t hesitate to flaunt it with style.

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Blonde Tips

Blonde tips have been around for a longtime and this particular style is seeing a revival of sorts along with various other things from the 90s era. It is natural to see many fashion trends coming back after a few decades and people are happily embracing them with open arms and same is the case with the blonde tips for black men with curly hairstyles.

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Loose Curly Hairstyles for Black Men

Don’t have natural loose curls, but want to sport them? No need to worry, as loose curls can be styled or created if you don’t have them naturally. You can use a soft brush and a leave in conditioner that can be a creamy formula or either a spray and make your own tight curls to go with the trend.

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Short Curly Hairstyles for Black Men

If you have naturally curly hair, then this haircut is the easy way out to look cool. A short curly hairstyle is easy to manage and maintaining it every day won’t be a big task. You still have to condition your hair to maintain it in good shape and health.

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Long Curly Hairstyles for Black Men

Long hair is quite popular since a long time for men. Though a large portion of men don’t prefer it because of the maintenance issues, but if you want to join the long hair trend bandwagon, then be ready to accessorize it accordingly. Include some facial piercings, earrings and hair accessories to completely own the long curly hairstyle.

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Top Knot

The man bun and the top knot have ruled the trendiest men’s hairstyles last year. If you have curly hair, the top knot looks all the more attractive. Even though the top knot may look messy, it will surely make all the ladies swoon.

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Extra Long Curly Hairstyles for Black Men

There are medium, long and extra long hairstyles for curly hair black men. Though, you should be brave and bold enough to sport such a long and curly hair. You are sure to get some good comments on trying this brave hairstyle and don’t hesitate to show-off your pictures on various social media sites with style. People are sure to appreciate your effort.

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