Month: October 2018

Exclusive: Watch Sparks Fly Between Omari Hardwick and Tika Sumpter In New Clip From ‘Nobody’s Fool’

Shadow and Act has an exclusive clip from the upcoming film from Tyler Perry, Nobody’s Fool.

The clip features an interaction between Frank (Omari Hardwick) and Danica (Tika Sumpter).

Here’s the film’s official description: Trying to get back on her feet, wild child Tanya (Tiffany Haddish) looks to her buttoned-up, by the book sister Danica (Sumpter) to help her get back on track. As these polar opposites collide — with hilarious and sometimes disastrous results — Tanya discovers that Danica’s picture-perfect life — including her mysterious boyfriend — may not be what it seems. 

Mehcad Brooks and Amber Riley also star.

The film is in theaters November 2.

Watch the clip below:

The best songs on Ty Dolla $ign and Jeremih’s MIH-TY

“FYT”

ty dollar

I’ve been praying for the moment this tape would drop officially since this 2016 interview with Jeremih. Thank you R&B gods for making this happen! These two are well-known for making certified radio hits and R&B cuts that ride, but they’re at their best, in my opinion, when they lean into the sensual. “FYT,” their flip of Biggie’s “Fucking You Tonight,” is the perfect, smoldering example of this. Their. Runs. Phewwwwwww! (Also, no offense, but if anyone has a French Montana-less version of this, please hit me up.) —NAZUK KOCHHAR

I think straight men should be banned from having sex until they can collectively get their shit together, but Jeremih and Ty Dolla $ign’s “The Light” makes me briefly reconsider my position. It’s really Ty belting out “Let’s have sex” in the song’s hook that just sounds so right. Jeremih pulls his weight, too, matching Ty’s seductive power with his own brand of unapologetic horniness. Mih and Ty both sound super comfortable over a sample from Keni Burke’s “Risin’ To The Top.” That song has helped power good sex songs — like The Mary Jane Girls’s “All Night Long” — for the last 30+ years and MihTy’s is a welcome addition to the canon. —MYLES TANZER

“New Level”

“New Level” seems like the most surefire “hit” on the album. The song was originally released as a single with a guest verse from Lil Wayne but, on MIH-TY, it’s just Jeremih and Ty, going back and forth for a perfectly concise two minutes and thirty seconds. Building off a Dru Hill vocal sample, “New Level” fulfills the original promise of the collaborative album: two masters of melodic thottery bringing out the best in each other. Jeremih’s bridge on the song recalls some of his best Late Night-era runs, as he sings in a sultry whine about wishing he was a mind reader. Together, they sing about vaguely advancing a woman’s life should she choose to fuck with them. It’s a classic Jeremih/Ty premise and one that, when they harmonize, sounds pretty convincing. —BEN DANDRIDGE-LEMCO

READ MORE: https://www.thefader.com/2018/10/30/mih-ty-jeremih-ty-dolla-sign-best-tracks

The Eminem-produced satire Bodied knows every dis you’ll have and gets there first

bodied

Joseph Kahn’s new satirical comedy, Bodied, is the “more of a comment than a question” movie about race, privilege, and verse of 2018. If Blindspotting had too much narrative cohesion and nuance for you, try Bodied, which riddles its audience with dialogue and ideas at such a rapid-fire pace that none of them ever make any direct or purposeful hits. The film follows the intersecting storylines of Behn Grymm (Jackie Long), a champion battle rapper, and Adam (Calum Worthy), a prim, white grad student writing his thesis on Behn’s “bars,” i.e., the combo of language and phrasing of rap-battle verses. As it turns out, Adam’s a quick study on the subject, and soon becomes a natural battle rapper himself. But this threatens his newfound friendship with Behn and his romantic relationship with vegan feminist Maya (Rory Uphold). Think All About Eve, but with men and free-styling.

Kahn, who began his career as a music video director, has never abandoned the slick, quick-cutting style that landed him jobs for Lady Gaga, Katy Perry, Britney Spears, and Eminem, the latter serving as producer on this film. As a result of that style, the film becomes, at times, tiresome and annoying, when Kahn constantly whip-pans and zooms into close-ups. Not that these irksome quirks diminish the vibrancy of each individual rap battle Kahn portrays.

The script is penned by Alex Larsen (a.k.a. Kid Twist), a rap battle legend himself, whose own origin story as a self-professed nerdy white Canadian seems to be the inspiration behind Adam. The verses are wildly cerebral and complex but also base, marrying highbrow with the low. Larsen uses them to interrogate the lexicon of rap, trying to offer reasoning for why a smart, thoughtful person might also incorporate slurs against gay, black, Asian, and trans people into their verses, even if they wouldn’t use those words outside of a rap battle. Adam serves as the conduit for these reasonings and justifications, with his character’s inner dialogue in voice-over running through the pros and cons of every word: Is this sexist? Should I make a joke about Asians eating dogs? Is it too racist? Just racist enough? But Adam finds that it’s exactly those exaggerated insults that win crowd satisfaction and therefore the rap battle. And winning the battle becomes everything to Adam.

Much attention will likely be paid to Worthy and his performance as a walking dictionary who develops the bravado of a billionaire tech mogul. He’s quite convincing as a battle rapper, all the right words forming organically on his lips. But don’t forget Long, who’s expressive but grounded as Behn, anchoring this film in the kind of humanity that Adam lacks. It would have been satisfying to see more of this story through Behn’s eyes, but what the script fails to provide the character, Long fills in with his performance.

Larsen’s screenplay fascinatingly insulates itself from criticism, mostly by offering up the criticism first. Want to ask why most of the women in this film are bitches? Larsen’s already on it, by having one female character explain to another one that it’s not about being a woman—it’s about being a battle rapper. Want to point out that using offensive slurs, even in the context of a rap battle, doesn’t negate that they are offensive? Well, the script covers that, too, with Behn explaining that it’s the intent behind your words, the brazenness of crossing a line, that’s what actually hurts. As in the real world, there’s no easy path toward living the ultimate ethical life, and so justifications must be made to cope. Adam becomes a fountain of justifications as he grows ever more maniacal, his brain whirring with comebacks that feel good for him to say. He’s essentially addicted to crafting barbed bars to outwit his opponents. That’s his power.

Kahn and Larsen have a tendency to over-intellectualize their ideas. It’s like watching a self-defense mechanism work in real-time, and at lightning speed. And that in itself is impressive, even if it prevents the filmmakers from reaching any meaningful conclusions because it accurately presents the mental gymnastics a progressive person might engage in to justify their choices or wade through rigid social rules. Simultaneously entertaining, overwhelming, compelling, and grating, Bodied raises its hand and talks until words mean nothing and everything.

Funkmaster Flex Seems to Take Shots at Drake Again: ‘You Ain’t Qualified to Give Rules’

Though the conflict between Drake and Pusha-T has been wrapped up, one popular conversation birthed from the feud is the existence of rules (if any) in rap beef. Drake’s appearance on HBO’s The Shop spawned a debate across hip-hop, as he stated that certain lines shouldn’t be crossed in rap. Rappers and music industry individuals attempted to argue on both sides, though no general consensus was established.

While still on promo for their Beloved project, Dave East and Styles P (who both recently gave their opinion on the topic) stopped by radio veteran/media personality Funkmaster Flex‘s show on Hot 97. At the end of the video above, around the 6:09 mark, Flex took the time to go on an explicative filled rant addressing the issue of those who seek to establish guidelines in lyrical warfare.

Flex, in his usual candid, unabashed fashion, made his stance unequivocally clear.

“If you get your feelings hurt, fuck you, it don’t really matter,” he began. “If you don’t write your own shit, you ain’t qualified to give motherfucking rules on the fucking game, you fucking bozo.”

The sentiment Flex expressed echoes that of an earlier statement made by Styles regarding the Drake/Pusha T incident. Styles told Hot 97 “you can’t expect in any type of warfare, any type, not just rap, ain’t no rules.”

This isn’t the first time Flex has addressed Drake, as his disdain with the Canadian superstar has always been about the actions taken by Drake that are contrarian to the hip-hop purist (i.e. the infamous Quentin Miller reference tracks).

ComplexCon 2018 Logo

The Playlist: Cardi B Hits Pay Dirt, and 11 More New Songs

Screen Shot 2018-10-30 at 5.08.12 AM

Every Friday, pop critics for The New York Times weigh in on the week’s most notable new songs and videos — and anything else that strikes them as intriguing. Just want the music? Listen to the Playlist on Spotify here (or find our profile: nytimes). Like what you hear? Let us know at theplaylist@nytimes.com and sign up for our Louder newsletter, a once-a-week blast of our pop music coverage.

What’s the opposite of a palate cleanser? Currently, Cardi B is featured on the No. 1 song in the country, Maroon 5’s “Girls Like You.” It is not her best, nor most apt work. So here comes the palate roughener? “Money” is effectively a stripped-bare version of BlocBoy JB and Drake’s already-bare “Look Alive,” and a de facto lo-fi rejoinder to Cardi B’s steady pop incursions over the past year. The trash talk here is pure, if a little staid: “I like boarding jets, I like morning sex/But nothing in this world that I like more than checks.” Instead, “Money” — the first solo single Cardi B has released since giving birth in July — is notable for its acknowledgment of new-mom problems: “I got a baby, I need some money, I need cheese for my egg.” JON CARAMANICA

 

California Tenants Take Rent Control Fight to the Ballot Box

Screen Shot 2018-10-30 at 5.00.13 AM

LOS ANGELES — From pulpits across Los Angeles, Pastor Kelvin Sauls has spent the past few months delivering sermons on the spiritual benefits of fasting. The food in the sermon is rent, and landlords need less of it. “My role is to bring a moral perspective to what we are dealing with around the housing crisis,” Pastor Sauls explained.

In addition to a Sunday lesson, this is an Election Day pitch. Pastor Sauls is part of the campaign for Proposition 10, a ballot initiative that would loosen state restraints on local rent control laws. The effort has stoked a battle that has already consumed close to $60 million in political spending, a sizable figure even in a state known for heavily funded campaigns.

Depending on which side is talking, Proposition 10 is either a much-needed tool to help cities solve a housing crisis or a radically misguided idea that will only make things worse. Specifically, it would repeal the Costa-Hawkins Rental Housing Act, which prevents cities from applying rent control laws to single-family homes and apartments built after 1995.

The initiative drive builds on the growing momentum of local efforts to expand tenant protections. “In the midst of the worst housing and homeless crisis that our country has ever seen, how does a bill that restricts local government’s ability to address it go untouched?” asked Damien Goodmon, director of the Yes on 10 campaign, which is primarily funded by the AIDS Healthcare Foundation in Los Angeles.

Proposition 10 has won prominent endorsements from backers including the California Democratic Party and The Los Angeles Times. But opponents have also amassed editorials and broad support, mainly from a coalition of construction unions, nonprofit housing developers and local chambers of commerce.

Among those fighting the initiative is a relatively recent class of landlords — private equity firms like Blackstone Group, which accumulated a vast residential real estate portfolio after the housing market collapse a decade ago. Landlords warn that repealing the Costa-Hawkins law would create deep uncertainty among developers, making California’s housing shortage worse by discouraging construction.

“This is a serious problem, but the solution to that problem should not land solely on the rental housing industry,” said Tom Bannon, president of the California Apartment Association, a landlords’ group.

The California fight reflects a renters’ rights movement that is bubbling up in churches and community centers across the country, a semi-coordinated stand of low-income tenants against the gentrifying American city. Last month in the Roxbury section of Boston, about 300 people gathered for an afternoon assembly on how to blunt evictions and economic displacement. The event offered free child care and had organizers speaking English, Spanish and Cantonese.

Updated Oscar Projections As Wave of Top Contenders Are Released

THR’s awards columnist updates his projections.

Screen Shot 2018-10-21 at 7.42.47 PM

These projections reflect Scott Feinberg’s personal impressions (from screenings), publicly available information (release dates, genres, talent rosters and teasers/trailers often offer valuable clues), historical considerations (how other films with similar pedigrees have resonated), precursor awards (some awards groups have historically correlated with the Academy more than others) and consultations with industry insiders (including fellow members of the press, awards strategists, filmmakers and awards voters).

GLOSSARY The following abbreviations denote the film festival(s) at which a film has screened and/or will be screening: SUND=Sundance, SXSW=South by Southwest, TRIB=Tribeca, CANN=Cannes, VENI=Venice, TELL=Telluride, TIFF=Toronto, NYFF=New York, LOND=London and AFIF=AFI Fest.

Best Picture

FRONTRUNNERS

Roma (Netflix) VENI, TELL, TIFF, NYFF
A Star Is Born
(Warner Bros.) VENI, TIFF
The Favourite (Fox Searchlight) VENI, TELL, NYFF
Black Panther (Disney)
Green Book (Universal) TIFF
First Man (Universal) VENI, TELL, TIFF
BlacKkKlansman (Focus Features) CANN
Can You Ever Forgive Me? (Fox Searchlight) TELL, TIFF
Eighth Grade
(A24) SUND, SXSW
A Quiet Place (Paramount) SXSW

MAJOR THREATS

Cold War (Amazon) CANN, TELL, TIFF, NYFF
If Beale Street Could Talk (Annapurna) TIFF, NYFF
Crazy Rich Asians (Warner Bros.)
Ben is Back (Roadside Attractions) TIFF

POSSIBILITIES

Hereditary (A24) SUND, SXSW
Leave No Trace (Bleecker Street) SUND, CANN
Widows (Fox) TIFF, LOND
22 July (Netflix) VENI, TIFF

STILL TO COME

Mary Poppins Returns (Disney)
Mary Queen of Scots (Focus Features) AFIF
The Mule (Warner Bros.)
On the Basis of Sex (Focus Features) AFIF
Vice (Annapurna)

Best Director

FRONTRUNNERS

Alfonso Cuaron (Roma)
Bradley Cooper (A Star Is Born)
Yorgos Lanthimos (The Favourite)
Ryan Coogler (Black Panther)
Spike Lee (BlacKkKlansman)

MAJOR THREATS

Damien Chazelle (First Man) — podcast
Pawel Pawlikowski (Cold War)
Bo Burnham (Eighth Grade)
Peter Farrelly (Green Book)
Barry Jenkins (If Beale Street Could Talk) — podcast
Paul Greengrass (22 July)
Debra Granik (Leave No Trace)
John Krasinski (A Quiet Place)

POSSIBILITIES

Jon M. Chu (Crazy Rich Asians)
Marielle Heller (Can You Ever Forgive Me?)
Ari Aster (Hereditary)
Peter Hedges (Ben is Back)
Steve McQueen (Widows)
Boots Riley (Sorry to Bother You)
Julian Schnabel (At Eternity’s Gate)

STILL TO COME (alphabetical)

Clint Eastwood (The Mule)
Mimi Leder (On the Basis of Sex)
Rob Marshall (Mary Poppins Returns)
Adam McKay (Vice) — podcast
Josie Rourke (Mary Queen of Scots)

Best Actor

FRONTRUNNERS

Bradley Cooper (A Star Is Born)
Viggo Mortensen (Green Book) — podcast
Lucas Hedges (Ben is Back)
Ryan Gosling (First Man)
Hugh Jackman (The Front Runner)

MAJOR THREATS

Rami Malek (Bohemian Rhapsody) — podcast
John David Washington (BlacKkKlansman)
Steve Carell (Beautiful Boy)
Chadwick Boseman (Black Panther) — podcast
Ethan Hawke (First Reformed) — podcast
Willem Dafoe (At Eternity’s Gate) — podcast
John C. Reilly (The Sisters Brothers)

POSSIBILITIES

Robert Redford (The Old Man & the Gun)
Ben Foster (Leave No Trace)
John Krasinski (A Quiet Place)
Stephan James (If Beale Street Could Talk)
Lucas Hedges (Boy Erased)
Lakeith Stanfield (Sorry to Bother You)
Steve Coogan (Stan & Ollie)
John C. Reilly (Stan & Ollie)

STILL TO COME (alphabetical)

Christian Bale (Vice)
Clint Eastwood (The Mule)

Best Actress

FRONTRUNNERS

Glenn Close (The Wife) — podcast
Olivia Colman (The Favourite)
Lady Gaga (A Star Is Born)
Julia Roberts (Ben is Back)
Yalitza Aparicio (Roma)

MAJOR THREATS

Melissa McCarthy (Can You Ever Forgive Me?)
Kathryn Hahn (Private Life)
Toni Collette (Hereditary)
Viola Davis (Widows)
Nicole Kidman (Destroyer) — podcast
Joanna Kulig (Cold War)
Elsie Fisher (Eighth Grade)

POSSIBILITIES

KiKi Layne (If Beale Street Could Talk)
Charlize Theron (Tully)
Keira Knightley (Colette) — podcast
Rosamund Pike (A Private War) — podcast
Carey Mulligan (Wildlife)
Emily Blunt (A Quiet Place)
Maggie Gyllenhaal (The Kindergarten Teacher)
Emma Thompson (The Children Act)
Hilary Swank (What They Had)

STILL TO COME (alphabetical)

Emily Blunt (Mary Poppins Returns)
Felicity Jones (On the Basis of Sex)
Saoirse Ronan (Mary Queen of Scots) — podcast

Best Supporting Actor

FRONTRUNNERS

Richard E. Grant (Can You Ever Forgive Me?)
Mahershala Ali (Green Book) — podcast
Timothee Chalamet (Beautiful Boy) — podcast
Sam Elliott (A Star Is Born)
Nicholas Hoult (The Favourite)

MAJOR THREATS

Robert Forster (What They Had)
Michael B. Jordan (Black Panther) — podcast
Matthew McConaughey (White Boy Rick) — podcast
Paul Giamatti (Private Life)
Daniel Kaluuya (Widows)
Russell Crowe (Boy Erased)

POSSIBILITIES

Adam Driver (BlacKkKlansman) — podcast
Topher Grace (BlacKkKlansman)
Brian Tyree Henry (If Beale Street Could Talk) NEW
Jake Gyllenhaal (Wildlife) — podcast
Dominic West (Colette)
Alessandro Nivola (Disobedience)

STILL TO COME (alphabetical)

Steve Carell (Vice)
Armie Hammer (On the Basis of Sex)
Lin-Manuel Miranda (Mary Poppins Returns) — podcast
Mike Myers (Bohemian Rhapsody)
Sam Rockwell (Vice) — podcast
Justin Theroux (On the Basis of Sex)

Best Supporting Actress

FRONTRUNNERS

Regina King (If Beale Street Could Talk)
Emma Stone (The Favourite) — podcast
Rachel Weisz (The Favourite)
Claire Foy (First Man) — podcast
Marina de Tavira (Roma)

MAJOR THREATS

Thomasin McKenzie (Leave No Trace)
Nicole Kidman (Boy Erased) — podcast
Elizabeth Debicki (Widows)
Natalie Portman (Vox Lux) — podcast
Kayli Carter (Private Life)
Rachel McAdams (Disobedience)

POSSIBILITIES

Michelle Yeoh (Crazy Rich Asians)
Vera Farmiga (The Front Runner)
Ann Dowd (Hereditary)
Angela Bassett (Black Panther)
Lupita Nyong’o (Black Panther)
Danai Gurira (Black Panther) — podcast

STILL TO COME (alphabetical)

Amy Adams (Vice)
Kathy Bates (On the Basis of Sex)
Emily Mortimer (Mary Poppins Returns)
Margot Robbie (Mary Queen of Scots) — podcast
Meryl Streep (Mary Poppins Returns)

Best Adapted Screenplay

FRONTRUNNERS

A Star Is Born (Bradley Cooper, Will Fetters, Eric Roth)
BlacKkKlansman (Spike Lee, David Rabinowitz, Charlie Wachtel, Kevin Willmott)
Black Panther (Joe Robert Cole, Ryan Coogler)
First Man (Josh Singer)
Can You Ever Forgive Me? (Nicole Holofcener, Jeff Whitty)

MAJOR THREATS

If Beale Street Could Talk (Barry Jenkins)
Crazy Rich Asians (Peter Chiarelli, Adele Lim)
Leave No Trace (Debra Granik, Anne Rosellini)
Widows (Gillian Flynn, Steve McQueen)
22 July (Paul Greengrass)
The Wife (Jane Anderson)
The Sisters Brothers (Jacques Audiard, Thomas Bidegain)

POSSIBILITIES

Wildlife (Paul Dano, Zoe Kazan)
The Front Runner (Matt Bai, Jay Carson, Jason Reitman)
Beautiful Boy (Luke Davies, Felix Van Groeningen)
The Hate U Give (Audrey Wells)
Disobedience (Sebastian Lelio, Rebecca Lenkiewicz)
Boy Erased (Joel Edgerton)
A Private War (Arash Amel)

STILL TO COME

Mary Poppins Returns (John DeLuca, David Magee, Rob Marshall)
Mary Queen of Scots (Beau Willimon)

Best Original Screenplay

FRONTRUNNERS

The Favourite (Deborah Davis, Tony McNamara)
Roma (Alfonso Cuaron)
Green Book (Brian Hayes Currie, Peter Farrelly, Nick Vallelonga)
Eighth Grade
(Bo Burnham)
Private Life (Tamara Jenkins)

MAJOR THREATS

Ben is Back (Peter Hedges)
A Quiet Place
(Scott Beck, John Krasinski, Bryan Woods)
Cold War
(Piotr Borkowski, Janusz Glowacki, Pawel Pawlikowski)
First Reformed (Paul Schrader)
Hereditary (Ari Aster)
Sorry to Bother You (Boots Riley)
Mid90s (Jonah Hill) NEW
The Ballad of Buster Scruggs (Ethan Coen, Joel Coen)
What They Had (Elizabeth Chomko)

POSSIBILITIES

Isle of Dogs (Wes Anderson, Roman Coppola, Kunichi Nomura, Jason Schwartzman)
Capernaum (Jihad Hojeily, Michelle Keserwany, Nadine Labaki, Khaled Mouzanar)
Colette (Richard Glatzer, Rebecca Lenkiewicz, Wash Westmoreland)
Destroyer (Phil Hay, Matt Manfredi)
White Boy Rick (Logan Miller, Noah Miller, Andy Weiss)
Vox Lux (Brady Corbet)
Stan & Ollie (Jeff Pope)
At Eternity’s Gate (Julian Schnabel)

STILL TO COME

On the Basis of Sex (Daniel Stiepleman)
Vice (Adam McKay)

Best Animated Feature

FRONTRUNNERS

Incredibles 2 (Disney/Pixar)
Isle of Dogs (Fox Searchlight) BERL, SXSW
Ralph Breaks the Internet (Disney)
Mirai (GKIDS)
Ruben Brandt, Collector (Sony Classics) NEW

THE REST OF THE FIELD (alphabetical)

Early Man (Lionsgate/Aardman)
The Grinch (Universal/Illumination)
Hotel Transylvania 3: Summer Vacation (Sony Animation)
Lu Over the Wall (GKIDS)
Next Gen (Netflix)
Night is Short, Walk On Girl (GKIDS)
Sherlock Gnomes (Paramount)
Smallfoot (Warner Bros.)
Spider-Man: Into the Spider-Verse (Sony)
Teen Titans Go! To the Movies (Warner Bros.)

Best Documentary Feature

PROJECTED SHORTLIST

Free Solo (National Geographic) TELL, TIFF
Won’t You Be My Neighbor? (Focus Features) SUND, SXSW
RBG (Magnolia) SUND
Three Identical Strangers (Neon) SUND
Quincy (Netflix) TIFF
Science Fair (National Geographic) SUND, SXSW
Crime + Punishment (Hulu) SUND
Minding the Gap (Hulu/Magnolia) SUND
The Price of Everything (HBO) SUND
Filmworker (Kino Lorber) CANN [’17], NYFF [’17]
The Sentence (HBO) SUND
Studio 54 (Zeitgeist) SUND, TRIB
McQueen (Bleecker Street) TRIB
Dark Money (PBS) SUND
On Her Shoulders (Oscilloscope) SUND, SXSW

THE REST OF THE FIELD (alphabetical)

93Queen (Abramorama) NEW
306 Hollywood (El Tigre) SUND NEW
Always at the Carlyle
(Good Deed)
Believer (HBO)
BISBEE ’17 (4th Row Films) NEW
The Bleeding Edge (Netflix)
Boom for Real: The Late Teenage Years of Jean-Michel Basquiat (Magnolia) TIFF [’17], NYFF [’17]
Chef Flynn (Kino Lorber) SUND
Divide and Conquer: The Story of Roger Ailes (Magnolia) TIFF
Eating Animals (Sundance Selects) TELL [’17]
Fahrenheit 11/9 (Briarcliff) TIFF
Far from the Tree (Sundance Selects)
Five Seasons: The Gardens of Piet Oudolf (Argot)
Generation Wealth (Amazon) SUND, BERL, SXSW
The Gospel According to André (Magnolia) TIFF [’17], TRIB
Grace Jones: Bloodlight and Bami (Kino Lorber) TIFF [’17]
Hal (Oscilloscope) SUND, TELL
Hale County This Morning, This Evening (Cinema Guild) SUND
The Heart of Nuba (Abramorama)
Hitler’s Hollywood (Kino Lorber) TELL [’17] NEW
In Search of Greatness (AOS)
Inventing Tomorrow (Fishbowl Films)
Itzhak (Greenwich Entertainment)
Jane Fonda in Five Acts (HBO) SUND
John McEnroe: In the Realm of Perfection (Oscilloscope)
The Judge (self distributed) TIFF
The King (Oscilloscope) CANN [’17], SUND
King in the Wilderness (HBO) SUND
Kusama: Infinity (Magnolia) SUND NEW
Leaning Into the Wind: Andy Goldsworthy (Magnolia)
Liyana (Abramorama) NEW
Love, Cecil (Zeitgeist) TELL [’17]
Love, Gilda (Magnolia) TRIB
Maria by Callas (Sony Classics) TIFF
Monrovia, Indiana (Zipporah) VENI, TIFF, NYFF
The Oslo Diaries (HBO) SUND
Pope Francis: A Man of His Word (Focus Features) CANN
The Price of Free (YouTube) SUN
Reversing Roe (Netflix) TELL, TIFF
Robin Williams: Come Inside My Mind (HBO) SUND
Ryuichi Sakamoto: Coda (MUBI) TRIB
Say Her Name: The Life And Death Of Sandra Bland (HBO)
Scotty and the Secret History of Hollywood (Greenwich Entertainment) TIFF [’17]
Shirkers (Netflix) SUND
They’ll Love Me When I’m Dead (Netflix) VENI, TELL
United Skates (HBO) TRIB NEW
Watergate — or, How We Learned to Stop An Out-of-Control President (History) TELL
What Haunts Us NEW
Whitney (Roadside Attractions) CANN [’17]

STILL SEEKING U.S. DISTRIBUTOR (alphabetical)

American Dharma VENI, TIFF, NYFF
Angels Are Made of Light TELL, TIFF, NYFF
Aquarela VENI, LOND
Be Natural: The Untold Story of Alice Guy-Blache CANN, TELL, NYFF, LOND
The Biggest Little Farm TELL, TIFF
The Dawn Wall SXSW NEW
The Dead and the Others [Brazil] CANN
The Elephant Queen TIFF
Fail State NEW
Ghost Fleet TELL
Graves Without a Name TELL, TIFF
The Great Buster: A Celebration VENI, TELL
Meeting Gorbachev TELL, TIFF
Mountain
People’s Republic of Desire SXSW NEW
Saving Brinton
Screwball TIFF
The Silence of Others BERL
What She Said: The Art of Pauline Kael TELL
Women Making Films: A New Road Movie Through Cinema VENI, TIFF

Best Foreign Language Film

PROJECTED SHORTLIST

Roma [Mexico] (Netflix) VENI, TELL, TIFF, NYFF
Cold War [Poland] (Amazon) CANN, TELL, TIFF, NYFF
Girl [Belgium] CANN, TELL, TIFF
Burning [South Korea] (Well Go USA) CANN, NYFF
Shoplifters [Japan] (Magnolia) CANN, TELL, TIFF, NYFF
Capernaum [Lebanon] (Sony Classics) CANN, TIFF
The Guilty [Denmark] (Magnolia) SUND
Birds of Passage [Colombia] (The Orchard) CANN, TELL, TIFF, LOND
Never Look Away [Germany] (Sony Classics) VENI, TIFF

OTHER OFFICIAL SUBMISSIONS (alphabetical)

10 Days Before the Wedding [Yemen] NEW
And Suddenly the Dawn [Chile]
Ayka [Kazakhstan] CANN NEW
The Angel [Argentina] CANN, TIFF
Beauty and the Dogs [Tunisia] CANN [’17], LOND [’17], AFIF [’17]
Border [Sweden] CANN, TELL, TIFF, NYFF
Buffalo Boys [Singapore]
Burnout [Morocco]
Cake [Pakistan]
The Cakemaker [Israel] LOND [’17]
Champions [Spain]
Cocote [Dominican Republic] TIFF [’17]
Crystal Swan [Belarus]
Dogman [Italy] CANN, TELL, TIFF, LOND
Donbass [Ukraine] CANN, TIFF
Eldorado [Switzerland] TELL
Eternity [Peru]
Euthanizer [Finland] TIFF [’17]
The Eighth Commissioner [Croatia]
The Family [Venezuela]
Family First [Canada] NEW
Ghost Hunting [Palestine] BERL [’17]
Graves Without a Name [Cambodia] VENI, TELL
The Great Buddha + [Taiwan] TIFF [’17]
The Great Mystical Circus [Brazil] CANN
Gutland [Luxembourg]
The Heiresses [Paraguay] BERL
Hidden Man [China] TIFF NEW
I Am Not a Witch
[United Kingdom]
I Do Not Care If We Go Down in History As Barbarians [Romania]
The Interpreter [Slovakia]
Iskra [Montenegro]
Ivan [Slovenia]
Jirga [Australia] TIFF NEW
The Journey [Iraq] TIFF [’17], LOND [’17]
Malila: The Farewell Flower [Thailand]
Marlina the Murderer in Four Acts [Indonesia] CANN [’17], TIFF [’17], AFIF [’17]
The Marriage [Kosovo]
Medea [Costa Rica]
Memoir of War [France]
Muralla [Bolivia]
Namme [Georgia]
Never Leave Me [Bosnia & Herzegovina]
Night Accident [Kyrgyzstan]
No Bed of Roses [Bangladesh]
No Date, No Signature [Iran] VENI [’17]
Offenders [Serbia]
Omnipresent [Bulgaria]
Operation Red Sea [Hong Kong]
Panchayat [Nepal]
Pilgrimage [Portugal]
Polyxeni [Greece]
The Resistance Banker [Netherlands]
The Road to Sunrise [Malawi] NEW
Rona Azim’s Mother [Afghanistan] NEW
Ruben Blades is Not My Name [Panama] SXSW
Sew the Winter to My Skin [South Africa] TIFF
Secret Ingredient [Macedonia]
Sergio and Sergei [Cuba] TIFF [’17]
Signal Rock [Philippines]
Sobibor [Russia] CANN
A Son of Man [Ecuador]
Spitak [Armenia] NEW
Sunset [Hungary] (Sony Classics) VENI, TIFF, LOND
Supa Modo
[Kenya] BERL
The Tailor [Vietnam]
Take It or Leave It [Estonia]
To Be Continued [Latvia]
A Twelve-Year Night [Uruguay] VENI
Until the End of Time [Algeria]
Village Rockstars [India] TIFF [’17]
The Waldheim Waltz [Austria] BERL, NYFF
The Wedding Ring [Niger] TIFF [’16]
What Will People Say [Norway] TIFF [’17], AFIF [’17]
The Wild Pear Tree [Turkey] CANN, TIFF
Winter Flies [Czech Republic] TIFF
Woman at War [Iceland] CANN, TIFF, LOND
Wonderful Losers: A Different World [Lithuania]
Yellow Is Forbidden [New Zealand] TRIB NEW
Yomeddine [Egypt] CANN