Category: Entertainment

Cardi B Wants a “Lit” Baby Shower

Don’t expect casual afternoon hors d’oeuvres at Cardi B‘s baby shower, because it’s going to be way more “lit” than that. The 25-year-old rapper is expecting her first child, a baby girl, with fiancé and Migos rapper Offset, 26. The two appear on the cover of Rolling Stone‘s July 2018 issue, which shows him kissing her bare baby bump as she poses naked from the chest down.

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“I want a lit baby shower,” Cardi told the magazine. “My baby shower’s not starting at no 5:00. My s–t is going to start at 9 p.m. because that’s how I celebrate, that’s how Caribbean people celebrate.” “I don’t like baby showers that be at 5 p.m. in the backyard, eating, cooking hors d’oeuvres. Nah,” she said. “S–t, I might even drink some red wine. Red wine’s healthy, right?”

“Don’t let Mama see you drinking that red wine,” one of Offset’s family members told her, referring to his mother. “She’s going to have a fit.”

Kylie Jenner and Travis Scott on Love, Making It Work, and the Kardashian Curse

She’s a billionaire business mogul. He’s the most electric rapper in the game. How did they come together? How do they make it work? And can they survive the Kardashian Curse? Mark Anthony Green sits down with the world’s most powerhouse power couple.

It’s Kylie, from the jump, who controls the tempo. The youngest Jenner and her well-oiled glam squad bounce around Milk Studios, in Hollywood, with supreme purpose. Her half-male, half-female contingent is like Ocean’s Eleven, except with more crop tops and lip fillers. And instead of a case full of phony casino chips, there’s just a roller bag full of luscious hair extensions that need meticulous untangling. Midway through the shoot, the photographer and stylists start praising a particular photo on the monitor, but King Kylie shuts it down. “People are going to turn it into a meme,” she says, like some kind of social-media medium. “Let’s move to something else.” She later tells me that Kim and Kanye are the ones who taught her to be more assertive on creative things. “I just want the best cover photos for me and for you guys.”

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Joining her in the studio is her 27-year-old partner, Travis Scott. They’ve been together for about a year, but this is their first photo shoot together. What’s the binding force between a rage-thirsty rock star from Missouri City, Texas, and a beauty mogul of Calabasas royalty? Other than their newborn baby girl, Stormi? What’s that shared frequency that’s responsible for the most dynamic celebrity couple of modern times? We’ll get to that, but what I can report is that it’s not a mutual admiration for posing in front of a seamless. Taking pictures is a lucrative sport for one and medieval torture for the other.

Travis has a much smaller team with him. Just his manager—who works from a laptop the entire shoot—and a bag of what smells like some of California’s loudest weed. Between shots, he just kind of paces around, with his head down and his lanky limbs covered in expensive clothes. A wall or photo light would stop him and send him in a different direction. He looks like one of those Microsoft screen savers from the ’90s, careening off the edges of the monitor. “He was whispering to me the whole time,” Kylie tells me afterward, smirking. “He just doesn’t like taking the photos.” Travis hates anything that slows him down. (He even hates restaurants; the man despises wasting time in restaurants.) And he admits that he’s “impatient as a motherfucker” during photo shoots, despite really liking the end result. But it isn’t simply young angst that makes hurry-up-and-wait painful for Travis. It’s “la flame”—the internal fire, the rage, “the piss,” as he calls it, aggression in its funnest form. It’s why Travis, a decade into a notoriously energetic career, has made his case for having the best live show in hip-hop history.

A few years ago, at a nightclub, I saw Travis swing from a chandelier while performing. One of the gold baroque leaves he held on to for dear life cut his hand, and he was beginning to bleed pretty badly. He paused for a second. Smiled. Then pressed his bloody palm against the ceiling, leaving a red handprint, and kept rapping. That energy, that commitment—that’s why there’s an entire generation of young tattooed daredevil rappers coming up behind him who look to Travis as the source, and who’ve taken his lead.

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That may be the thing between the two of them, the binding force: influence. Not in some Adweek marketing sense—in direct-contact-with-the-people kind of way. When they say jump, kids will do it…off a balcony. (That actually happened to Travis.) These two make the mosh pits, memes, and moments that trend and move the needle. They forge 2017’s most overused four-letter word—vibe—and they’re masters at 2018’s: wave. You can’t pause when catching a wave. And that’s their art. Their common thread. Which helps explain how their relationship went from zero to Stormi in just a few months.

“We don’t go on dates,” Kylie tells me. In fact, their first date wasn’t really a date. They were at Coachella—neither can remember where, exactly, they first met—and the whole thing just turned into a hang that went well. While she tells me about it, she begins to giggle about the story she told Travis that got his attention that night. The story wasn’t anything special, but that’s what made it real. How’d you meet your significant other? It starts normal, right?

But then their second date, by all definitions, was anything but normal. They caught the wave. Kylie Jenner—and nearly 100 million followers of hers—just abandoned her life in California and took off on tour with Travis Scott.

“Coachella was one of the stops on his tour,” she explains. “So he said, ‘I’m going back on tour—what do we want to do about this?’ Because we obviously liked each other.”

What do we want to do about this? That’s an early-2000s Matthew McConaughey big-screen-heartthrob line. Holy shit. “And I was like, ‘I guess I’m going with you,’ ” she said, to complete the scene.

READ MORE:https://www.gq.com/story/kylie-travis-cover-2018

In a statement for People, Whitney Houston’s mother said that learning about the claims of her daughter’s abuse were “overwhelming and unfathomable.”

Screen Shot 2018-07-14 at 8.08.50 AMWhitney Houston’s mother says allegations that her superstar daughter and her son were molested by her niece are “unfathomable.”

In a statement to People magazine on behalf of herself and sister singer Dionne Warwick, Cissy Houston revealed they first learned of the claims two days before the documentary Whitney premiered in May.

In the film, Whitney Houston’s longtime assistant said the singer told her that cousin Dee Dee Warwick molested her as a child and Whitney’s oldest brother also made the same claim.

In the statement, Cissy Houston says Dee Dee Warwick may have had her “personal challenges,” but the idea that she would have molested her children is “overwhelming and unfathomable.”

Dee Dee Warwick died in 2008. Whitney Houston died in 2012.

Read More: https://www.hollywoodreporter.com/news/box-office-whitney-houston-fred-rogers-ruth-bader-ginsburg-fuel-documentary-boom-1125567

‘Pose’ Shows The Importance Of Accurate Casting While Scarlett Johansson Drops Out Of ‘Rub & Tug’

Screenshot_2018-07-13 'Pose' Shows The Importance Of Accurate Casting While Scarlett Johansson Drops Out Of 'Rub Tug'(1)Scarlett Johansson has dropped out Rub & Tug vacating the role of the role of kingpin Dante “Tex” Gill. Johansson’s involvement in the role was controversial because Gill, a real-life figure, was a transgender man, whereas Johansson is a cisgender woman.

Johansson had taken a huge amount of online criticism for initially taking the role, and things only got worse when Bustle reported that Johansson said in a statement from a representative, “Tell them they can be directed to Jeffrey Tambor, Jared Leto, and Felicity Huffman’s reps for comment.” Also, the film would have reteamed her with Rupert Sanders, who helmed Johansson’s other controversial film, the Hollywood adaptation of Ghost in the Shell, in which she plays the Major, who was originally Japanese character Major Motoko Kusanagi in the manga and anime adaptations. In this new statement, given to Out.com, Johansson states how she’s learned more about the lack of sensitivity held in her initial comments about her involvement in the film.

“In light of recent ethical questions raised surrounding my casting as Dante Tex Gill, I have decided to respectfully withdraw my participation in the project,” she states. “Our cultural understanding of transgender people continues to advance, and I’ve learned a lot from the community since making my first statement about my casting and realize it was insensitive. I have great admiration and love for the trans community and am grateful that the conversation regarding inclusivity continues.”

Johansson also brings up a GLAAD statistic that LGBTQ+ characters dropped 40 percent in 2017 with no representation for trans characters in a major studio film.

“While I would have loved the opportunity to bring Dante’s story and transition to life, I understand why many feel he should be portrayed by a transgender person, and I am thankful that this casting debate, albeit controversial, has sparked a larger conversation bout diversity and representation in film. I believe that all artists should be considered equally and fairly.”  While Johansson might credit her debacle as advancing the conversation, Rub & Tug is only part of the larger conversation. FX’s Pose created by Ryan Murphy and renewed for a second season has made history each week thanks to its cast of transgender women of color, MJ Rodriguez, Dominque Jackson, Indya Moore, Hailie Sahar, and Angelica Ross. The show also has trans women behind the scenes, including Janet Mock, who recently made history as the first trans woman of color to write and direct a television show, musician Our Lady J, and dancer/choreographer Leoimy Maldonado.

Not only does Pose show that the talent is out there waiting to be discovered, but it also shows how, when people are allowed to be in charge of their own stories, an authenticity is added that only heightens the film or television show, making it better than it could have ever been if cast otherwise. Pose has great writing and great style, but it wouldn’t be what it is if it didn’t have the authentic voices of the women behind the scenes and in front of the camera, women who have lived through similar struggles as their characters.

In terms of Rub & Tug, Johansson wouldn’t have had any struggle to pull from; instead, she would have been using what is a reality for many people as an actor’s choice in the hopes of gaining recognition during awards season. If anyone should be getting recognized, it should be a trans actor who gets cast as Gill, a colorful and interesting figure in modern American history.

SOURCE:https://shadowandact.com/pose-shows-the-importance-of-accurate-casting-while-scarlett-johansson-drops-out-of-rub-tug

Power’s Omari Hardwick Goes Sneaker Shopping With Complex

Actor Omari Hardwick of “Power” goes Sneaker Shopping with Complex’s Joe La Puma at Stadium Goods in New York City and talks about why the Air Jordan III means so much to him, 50 Cent’s personal style, and looking up to Michael Jordan. Subscribe to Complex on YouTube: https://goo.gl/43ac5w  COMPLEX is a community of creators and curators, armed with the Internet, committed to surfacing and sharing the voices and conversations that define our new America. Our videos exemplify convergence culture, exploring topics that include music, sneakers, style, sports and pop culture through original shows and Complex News segments. Featuring your favorite celebrities, authoritative commentary, and a unique voice, our videos make culture pop.